Showing posts with label scifi. Show all posts
Showing posts with label scifi. Show all posts

Friday, March 1, 2013

Publishing Panel - Great Info on Publishing!


Publishing Panel February 26, 2013
Here are some notes, thanks to Deirdre Paulsen...

Chris Crowe BYU English Department, has published over 100 articles and 15 books:  “Editors don’t publish what editors don’t publish.”  Be familiar with Writers Market so can find out what publishers publishAmazed that writers submit pornographic material to Deseret Book!
Learn to cut. . .the editor should never be the first one to see your work (and your mother doesn’t count as a critical reader!).
 “I’ve written one children’s book and doubt that I’ll do another.”

Steve Cantwell vp “Writers-at-Work”:  “Have fun with failure.”  Have a thick skin – eventually you’ll start getting nice notes rather than nasty ones from editors.
Highly recommends Poets and Writers – “pulls together all deadlines.”  Also recommends all the “Best” books series. . .like Best American Spiritual Writing.  These books give the sites where the stories were published.
Glimmer Train is looking for new writers (a lot wind up in anthologies).  Great place to submit if just starting out.

Kent Minson BYU Academic Press: Talked about some of the dangers of self-publishing.  Usually when you self-publish it will cost you $10,000 for 1,000 to 2,000 books – then you still need to find a distributor and do your own marketing.  Most people wind up with a garage full of undistributed books.
BYU Academic Press on the other hand offers a la carte publishing:  cover design and editing for example.  And there is no minimum on how many books you have printed (you could submit a printed and bound copy of your work to a publisher to impress them).  You can also purchase a Press Package for $75 to have your book on the BYU Bookstore list.
Deseret Book publishes only 3% non-solicited manuscripts – they are looking for known names.  If  your work is fiction, try Covenant or Cedar Fort.  The better you know a publisher, it helps you get published and to understand why when they don’t publish.  They want return on their investment. 
Self-publishing a children’s book is very expensive since they have so much color plus they’re hard back.  It’s a very difficult market to break into – parents are very careful when purchasing childrens’ books. . .much more careful than when they buy a paperback for themselves in an airport. 


Marissa Widdison, Church Magazines, Friend magazine: Read the magazines you want to submit to first so that you know what stories they publish and how the topics are treated. (This seems simple, but there are lots of people who obviously don’t do this before they send things to us!) The Friend accepts the most freelance.  The other magazines accept articles from non-commissioned authors, but as donations only. Commissioned authors are usually experts in their respective fields (like the dean of a department at BYU).
For guidelines specific to each magazine, visit that magazine’s website and look for a link called “submit material” or “writer guidelines.” For the Friend, go to lds.org/friend and the link is at the bottom of the page.  If you send a message to friend@ldschurch.org, we will send you a list of topics that we are currently looking for.  If your work needs a lot of editing, or if you don’t have prior experience, we will often ask for the work to be donated rather than purchased.

I see success in this field as a combination of ingredients pulled from two wells. First, the well of life experience. Get out there and enjoy adventures, big and small! Look for stories in the world around you. Second, the well of knowing how to write well. Increase your knowledge of styles, treatments, literary devices, etc. Keep a journal where you practice sharing the stories you see each day. If both of these wells are kept full, the time will come when you will find a magic combination that someone will be thirsty for.
Come to fairs and conferences whenever possible—like the upcoming Publishers Fair. It makes a difference for editors if they have met with the authors. 

Colleen Whitley author and editor, established the BYU Publishing Lab in 1997:  Read your rejection slips and learn from them.  Become familiar with all the books like Writers Market so that you know where to submit certain genres.
Among the many opportunities facing new authors are some pitfalls, and as in every other area, the digital age has expanded both. Among the resources to help writers navigate these difficult waters is the Science Fiction & Fantasy Writers of America website:  sfwa.org.  It is not limited to Sci Fi and Fantasy, but is open to the public, frequently updated, and offers a range of good sites for writers at no cost.  Their For Authors page, sfwa.org/for-authors/information-center has information on preparing and submitting manuscripts, contracts, and writing techniques. The Writer Beware section sfwa.org/for-authors/writer-beware alerts authors to publishers, editors, agents, and outright scams that have a track record of abusing writers. 
 When you are looking for places to publish, consider short non-fiction works such as travel articles in Travel magazines.

Wednesday, February 13, 2013

Sci Fi

Notes from our meeting on Science Fiction - big thanks to Sarah for teaching us all about it!

Epic fantasy – huge, intricate worlds, - Brandon Sanderson, Robert Jordan, George R. R. Martin, Tolkien Really intricate worlds (word count 120-150k words)
Heroic fantasy – usually lots of action, sword fighting, gritty, Conan the Barbarian (80-100k words)
Urban fantasy (aka Modern fantasy) – our world, buffy the vampire slayer (smaller, faster-paced, usually about 70k words)
The difference between sci fi and fantasy
“Dr. Who is awesome because it walks the line between. It also walks the line between being really stupid and really awesome.” Science fiction will simply have science terms to explain what’s going on. IE-the Doctor’s sonic screwdriver—it could easily be a ‘wand’ but the scientific terms gives it a more science fiction feel.
“Sci Fi” -
Space Marine - more military, it’s focused on the battles. The science makes sense but science is not the focus. Battlestar Gallactica (80-100k words)
Space opera – i.e. star wars, space, doesn’t have the scientific specifics (i.e. the light saber works because…he used the force because he has the special blood…etc.)
Hard sci fi – science is legitimate (60-200k words depending on topic)
Steam punk
Distopian
Supernatural
Etc.
Technology in science fiction should be grounded in current day technologies.

Sci fi & fantasy – style & writing style:
Sci fi: sentences are shorter, more sciency-stuff, condensed dialogue
Fantasy: careful with the ‘ye’ etc – might bug your readers. You can use normal prose but use slightly fancier diction like ‘wept’ instead of ‘cried’

Big new world: big world, narrow in. desert planet? Where is the water? Civilizations are gathered around water.  Don’t believe it? Read up on the Egyptians – everything centered around the river.

Come up with a general map. Commerce? How long to travel between cities?
All taking place in one city – way easier to write.
How many nations? Similar? Different? Geographical differences between them?
Cultural settings: governments, religion, gender roles, race, economics, technological advancements, family structures.
You don’t have to have ALL of it for ALL of them. Focus on two or three. Add in the occasional details for the other areas. You don’t have to make it complicated.
If you’re stuck, just pick a few randomly. Put them in a hat and draw out some options.

Trying to develop a language:
Don’t be Tolkien. Tolkien was a master linguist. He made up 15 languages, then wrote the books for the language.
Easy way to make language – make up a code. Use existing languages. i.e. Took japanese grammar and Italian words and make up words using google translate. You don’t have to go into full detail – i.e. George R. R. Martin wrote a book with a new language and only made up about 8 words. You often see books use italics when characters are speaking a different language.
Subtle learning curve. Don’t pile on this character with this ethnicity & religion and this weapon and this background – don’t rush. You’ll drive your reader insane. Slowly build up to the awesome stuff. Have small differences like; what is the standard of beauty? Are boys favored over girls? These are common things people are familiar with but they also reveal a lot about a culture.
Give them some things to relate to—don’t make everything new. Introduce things slowly and gradually build in the world. Trees are still trees, bread is bread, etc.
Brandon & Robert Jordan, Martin, Tolkien – they pull from existing cultures.
*Things tend to change as you go a bit.  Start on the small details and run with it.

Magic:
You don’t have to have a system. Tolkien let Gandalf have magic when it was convenient. That’s okay but the trend is more to have an established system like Sanderson or Rowling. In a magic system, there should be a price and a limitation. IE- In Harry Potter, the cost is knowing the proper incantation and reciting it properly (and you have to practice, it's not just easy for everyone). The limitation is only one spell can be done at a time, you must be powerful enough to perform said spell, etc. Try to make the cost greater than the reward. (Sanderson does this)